Skip to Navigation
  • Sam Fox School
  • Kemper Art Museum
  • Directory

Search

Washington University in St. Louis

Home

Faculty portfolios

Home › Portfolios
  • Set 1 of 4
  • ››
  • Sweet Spoon. Gouache and acrylic on wall, appropriated wooden kitchen objects. 2008.
    Sweet Spoon. Gouache and acrylic on wall, appropriated wooden kitchen objects. 2008.
  • Jungle Tender (after Upton Sinclair). Digitally printed wallpaper, found glassware, wood, foam, paint, and foot rug. 2006.
    Jungle Tender (after Upton Sinclair). Digitally printed wallpaper, found glassware, wood, foam, paint, and foot rug. 2006.
  • We Carry Our Dead, (from the Domestic Disturbances Series). Hand-painted acrylic on raw linen, found furniture. 2003-2005.
    We Carry Our Dead, (from the Domestic Disturbances Series). Hand-painted acrylic on raw linen, found furniture. 2003-2005.
  • We Carry Our Dead (detail), (from the Domestic Disturbances Series). Hand-painted acrylic on raw linen, found furniture.
    We Carry Our Dead (detail), (from the Domestic Disturbances Series). Hand-painted acrylic on raw linen, found furniture.
  • Granny Smith & Wesson, (from the Domestic Disturbances Series). Hand-painted acrylic on appropriated fabric and furniture.
    Granny Smith & Wesson, (from the Domestic Disturbances Series). Hand-painted acrylic on appropriated fabric and furniture.
  • Bread & Bullets. Mixed-media installation. Image courtesy of the North Carolina Museum of Art.
    Bread & Bullets. Mixed-media installation. Image courtesy of the North Carolina Museum of Art.

Lauren Adams

Assistant Professor, Painting

ladams@samfox.wustl.edu
314-935-8664
314-935-6462
Campus Box 1031
Biography 

Lauren Frances Adams is a visual artist who works primarily in painting and drawing in the installation context. She graduated with an MFA in multimedia from Carnegie Mellon University in 2007, and with a BFA from UNC-Chapel Hill in 2002.

Adams has traveled extensively in Europe and Mexico on various fellowships. Previous exhibitions include ones at the North Carolina Museum of Art and Mint Museum of Craft and Design; the Warhol Museum and the Mattress Factory in Pittsburgh, PA; Fraction Workspace in Chicago; the Peterson Museum in Los Angeles, CA; and CUE Art Foundation in Chelsea, NY.

Adams’ work has been reviewed in Art Papers, The New York Times, News & Observer (Raleigh), and The Independent (Chapel Hill).

Recent residencies include the Jentel Foundation in Wyoming and Outside Project in Belgrade, Serbia.

Curatorial projects include the LOOM and Loom2 shows at Chathem Label Mill in Pittsboro, NC, and TAI + LEE Gallery in Pittsburgh, PA.

Download CV

Statement 

As an artist who grew up in a rural area of the American South, I am inclined in my work to explore issues of labor, class, the aesthetics of rural experience, and American domesticity. Visualizing typical domestic situations allows me to discuss the ways in which we insist on surrounding ourselves with objects of both comfort and terror.

I employ the techniques of painting and drawing as a way to render these objects. I agree with Bruce Nauman, who once stated that "art is a means of acquiring an investigative attitude." In my words, through research and site-specific responses, I can create artworks that stimulate further questioning. My research interests include the art and writings of William Morris; the Soviet Socialist designers of the early 20th century; folk art and decorative patternings as visual 'background noise;' issues of labor and worker struggles worldwide; and the visual display of political propaganda.

I aim to slow down a capitalist sense of time by making art 'products' with a shelf life: wall drawings (which are painted over after the exhibition), expendable consumer items (paper plates, butcher paper, cheap fabric lampshades), and performative exhibitions of mundane tasks (a haircut, a nap). I hope to elevate and prolong the ephemeral, however briefly, so that we may recognize the absurd impulses in our own behavior.

Related links 

Lauren Frances Adams' website

Portfolios

  • Faculty Portfolios
  • Graduate Portfolios
  • Undergraduate Portfolios
  • Alumni Portfolios
  • Submit a Portfolio
  • Calendar
  • Admissions
  • Alumni
  • About
    • Welcome
    • Experience
    • Visit
    • Directory
  • Programs
    • Undergraduate Architecture
    • Graduate Architecture
    • Undergraduate Art
    • Graduate Art
    • Study Abroad
    • Kemper Art Museum
    • Galleries
    • Conferences
    • Research+Creative Activity
    • Non-degree
    • Faculty/Staff Resources
    • Student Resources
  • Portfolios
    • Faculty Portfolios
    • Graduate Portfolios
    • Undergraduate Portfolios
    • Alumni Portfolios
    • Submit a Portfolio
  • View this Issue
  • Subscribe

News home

$100k bequest from celebrated painters Arthur Osver and Ernestine Betsberg

New Scholarship

Posted by Melinda Carter 09.19.08, 02:05
Tagged Art, Events, Community, Faculty, Alumni
Arthur Osver and his wife, Ernestine Betsberg, at one of their favorite cafes in Paris, circa 1950s.

A $100,000 bequest from the estate of renowned artists Arthur Osver, a professor of art at Washington University for 21 years, and Ernestine Betsberg, his wife of more than six decades, will create a new scholarship fund in Washington University’s Sam Fox School of Design & Visual Arts.

The Ernestine Betsberg and Arthur Osver Scholarship will be awarded to students and recent alumni of the Sam Fox School’s College and Graduate School of Art who demonstrate significant artistic ability and future artistic promise. To be eligible, students must have completed at least one full academic year in painting, sculpture or printmaking, while alumni must have earned a degree in one of those fields within the previous five years and be current MFA candidates. The first round of Osver Scholarship recipients will be announced in fall 2008.

Born in Chicago in 1912, Osver studied at Northwestern University and the Art Institute of Chicago, where he met Betsberg, a classmate who also would become an accomplished painter. After winning fellowships to Paris — Osver in 1936, Betsberg in 1937 — the couple married in 1940 and moved to New York City, where Osver taught at the Brooklyn Museum and Columbia University.

In 1960 Arthur was brought to Washington University by Kenneth Hudson, dean of art, who had previously hired the painters Philip Guston and Max Beckmann. (Guston, who had befriended Arthur in New York, encouraged him to take the job.) In 1962 Arthur and Ernestine purchased an 1851 farmhouse in Webster Groves, where they lived and worked for more than 40 years.

Arthur died in 2006 at the age of 93. Ernestine died in 2007 at the age of 94.

Recent articles

  • Boon for Broad Street
  • Inside (blank)LAB
  • Founders Day Honors
  • Museum as Publisher
  • Launch of MLA Program
  • Students Lead Parent Tours
  • Anastasi Installs Chance Artwork

Categories

  • Academics (2)
  • Alumni (3)
  • Architecture (5)
  • Art (3)
  • Community (7)
  • Conferences (2)
  • Creative activity (6)
  • Degrees (1)
  • Distinctions (5)
  • Education (7)
  • Events (3)
  • Exhibitions (2)
  • Faculty (3)
  • Graduate (3)
  • Museum (4)
  • Research (3)
  • Students (5)
  • Sustainability (5)
  • Undergraduate (2)

News Archive

  • Fall 2008 (7)
  • Spring 2009 (23)
  • Summer 2009 (12)
  • Fall 2009 (37)

News quick links

Submit an article

RSS feed

Footer links

  • Sitemap
  • Contact
  • Employment
  • Subscribe to e-news
  • Check email

© Sam Fox School of Design & Visual Arts. All rights reserved.