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Master of Landscape Architecture

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In the fall of 2010, the College and Graduate School of Architecture & Urban Design at Washington University in St. Louis will launch a new graduate program in landscape architecture leading to a professional* Master of Landscape Architecture (MLA). Two- and three-year degree options will accommodate students with design and other undergraduate degrees. The landscape program will further develop cross-disciplinary connections among architecture, urban design, and visual arts in the Sam Fox School of Design & Visual Arts to grant MLAUD and MLA/MARCH degrees.

The MLA program will be chaired by Dorothée Imbert, currently associate professor in the Department of Landscape Architecture at Harvard's Graduate School of Design (GSD). A noted scholar as well as a practicing landscape architect, Imbert was program director for the GSD's MLA Degree Programs in 2004-05. Learn more about Imbert

The Sam Fox School's new program in landscape architecture will focus on the three subjects of design, ecology, and urbanism. The transformative process of design—linking cultural, historical, and technological investigations—will form the pedagogical basis for research. Ecology will inform design practice to address a multiplicity of scales and natural systems within the environment. Urbanism will serve as a terrain of contemporary landscape practice. As heirs to design, ecological, and urban traditions, landscape architects are uniquely suited to articulate a spatial vision for today's environment. This three-pronged approach is geared to develop the students' critical and conceptual abilities, and prepare them to become leaders within professional and academic spheres.

The curriculum will be centered around studio teaching supported by instruction in technology, history, and theory. Following the core sequence of design studios and classes, students will be encouraged to develop their own research interests through advanced design studios and electives. Interdisciplinary and international option studios will foster a multiplicity of perspectives leading to a research based degree project (thesis or independent study). In addition, students will have opportunities to further their investigations within and beyond the school through teaching and research assistantships, and scholarships.

The landscape architecture program draws on a unique set of institutional, regional, and international resources available at the Sam Fox School. St. Louis will function as a laboratory for understanding and testing ecological and urban theories at the local scale, from brownfield reclamation to urban agriculture systems. Washington University's outstanding programs in environmental studies, environmental engineering, and American cultural studies will expand curricular offerings in ecology, technology, and landscape studies, and the internationally renowned Missouri Botanical Garden will serve as an exceptional tool for research and teaching. Finally, through the extensive international offerings of the school in Barcelona, Buenos Aires, Helsinki, Seoul, and Tijuana, students will be able to experience different landscapes, cultures, and cultures of practice.

* Accreditation pending

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Study of effects of artistic engagement Alzheimer's patients

Alzheimer's Study

Posted by Katherine Koss 09.15.09, 08:15
Tagged Art, Museum, Degrees, Graduate, Events, Academics, Education, Research, Creative activity, Community, Students
Frederic Edwin Church, Sierra Nevada de Santa Marta, 1883. Oil on canvas, 40 x 60 1/2".

This is the first in a series of posts about the Alzheimer's study. Please check back frequently for updates, and share your thoughts on the study below.

This summer eight MFA graduate students from the Sam Fox School completed a docent training program designed specifically for working with adults who have early-stage Alzheimer's disease, as part of a collaborative research study currently under way at the Kemper Art Museum.

Led by Mary Beth Hassan (MSN, MFA candidate), "Expanding a Visual Discourse: Art, Alzheimer’s and Aesthetics in the 21st Century," combines three unique perspectives – the artist, the educator, and the scientist – in an ongoing study of the effects of artistic engagement on the quality of life of adults with Alzheimer's disease. The program expands on the "Meet me at MOMA" program initiated by the Museum of Modern Art in New York City in 2006.

Hassan first became interested in the idea of starting up a similar study when she began to study at Washington University in 2006, and was encouraged by Patricia Olynyk, director of the Graduate School of Art, to take advantage of the ability to pursue multidisciplinary research as an MFA candidate. "I really wanted to do practical research that was fun, while also contributing to both science and art," Hassan said. "I realized that there was a unique opportunity for artists to have a role in creating community programs."

The goals of the study are threefold. The first is to establish a targeted docent training program for MFA graduate students that can be adapted to other institutions and community groups, and which teaches docents to facilitate discussions about art with program participants. The second is to combine forces with the Kemper Art Museum's Education Department to promote the use of the museums as a community resource. The third is to engage Alzheimer's patients in a proactive activity — a conversation stimulated by art — and to then evaluate the dialogue to better understand the effects of artistic engagement on the quality of life experiences for those who have Alzheimer's disease.

In addition to collaborating with the Museum, Hassan has worked with Dr. James Galvin, associate professor of neurology, who's in charge of Education & Rural Outreach at Washington University's Alzheimer's Disease Research Center. His focus has been on promoting an interesting educational model that encourages positive life experiences for the Alzheimer's patients.

"This study is unique to the field of Alzheimer's research because it combines an educational component with a scientific design that focuses on both qualitative or descriptive documentation and quantitative data," Hassan said. "By combining the resources of the Kemper Art Museum and the Alzheimer's Disease Research Center, we have a unique opportunity to expand both the understanding and appreciation of art from multiple perspectives."

The next phase of this pilot study is to conduct the museum tours, document the discourse between patients and docents, and evaluate behavioral tools and data. That will lay the foundation for the development of a more rigorous and extensive study on the Alzheimer's disease process.

About the image: Frederic Edwin Church's Sierra Nevada de Santa Marta is the first work that will be discussed on the tour. Full credit information:
Frederic Edwin Church, Sierra Nevada de Santa Marta, 1883.
Oil on canvas, 40 x 60 1/2".
Mildred Lane Kemper Art Museum, Washington University in St. Louis.
Bequest of Charles Parsons, 1905.

Comments

Carmon Colangelo
September 20, 2009 10:20am

Mary Beth, Good to see you pursuing this area of research and service. I will be interested in the results and findings of the study and appreciate the collaborative effort- engaging Alzheimer's patients- Dr. Galvin and the Kemper. Carmon

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